Earlier tonight, the Late Night Movie crew and I watched Project Nightmare, an obscure little film from 1987. (Actually, it would be more correct to say that the film was released in 1987. Judging from the clothes, the cars, and the hair, the film was actually made at some point in the 70s.)

The best word that I can think to describe Project Nightmare would be weird. This is just a weird and trippy movie.

The film opens with Gus (Charles Miller) and John (Seth Foster), two friends who played football in college and who are now in the air conditioning business together. Gus is insecure and angst-ridden. John is confident and spends almost the entire movie with his shirt becoming progressively more and more unbuttoned. Gus and John go on a camping trip. As the film opens, they are both running from something that they think attacked their camp site. TheyÔÇÖre not quite sure what it was and their descriptions remain frustratingly vague. Even when their mysterious pursuer comes near, we never get a clear look at it. Instead, we just hear buzzing on the soundtrack while the sky changes colors.

Gus and John come across a house sitting in the middle of nowhere. Inside the house is Marcie (Elly Koslo). Marcie doesnÔÇÖt have a telephone but she does have a bottle of Scotch. As Gus and John drink, they sit on the floor because Marcie doesnÔÇÖt appear to have any furniture in their house. Their conversation is stiff and oddly stilted and weÔÇÖre left to wonder if this is the result of bad acting or if itÔÇÖs just another sign of the filmÔÇÖs overall surreal atmosphere. Gus admits that he wants to sleep with Marcie and then proceeds to tell her a long and confusing story about why he and John are such good friends. John, meanwhile, dreams of a little boy running in a cemetery while a priest makes unintelligible sounds.

The next morning, as the two men leave the house, we hear a howling wind and yet none of the surrounding plant life appears to be swaying. Was this just bad filmmaking or was it another example of the director trying to create a sense of unease? ItÔÇÖs not an easy question to answer but IÔÇÖm willing to give director Donald Jones the benefit of the doubt.

The two men walk. A mysterious light pursues them. They come across a man sitting in a car. Gus and John get in the car. The man lays down in the back seat and promptly dies. They drive back to MarcieÔÇÖs house and manage to get Marcie to come outside right before the entire house vanishes. Eventually, they somehow come across an airplane sitting in the middle of the desert. Gus gets in the plane and flies away, leaving John and Marcie behind. Both Marcie and the car vanish. John wanders alone.

And then the movie really starts to get weird

How weird? I mean weird as in a character finding a pyramid in the middle of the desert. I mean weird like a room where a woman dances in slow motion while a group of shadowy men applaud. I mean weird like a big floating head that taunts those below it

I mean weird.

And hereÔÇÖs another odd thing about Project Nightmare. IÔÇÖve done a google search, IÔÇÖve read what it says on the imdb, and there is next to no information out there about how this film came to be. As I previously stated, the film was obviously made nearly a decade before it was actually released. Director Donald Jones served a director, writer, and editor on this and three other films but hasnÔÇÖt had a film released since 1993. Meanwhile, the filmÔÇÖs cast is also similarly obscure.

Project Nightmare is an enigma. Everything about this film ÔÇö from the obscure storyline to the miniscule budget to the unnatural dialogue to the stiff acting ÔÇö comes together to create an otherworldly viewing experience. And thatÔÇÖs why you simply must watch it at least once! Whether it was meant to be or not, Project Nightmare is something of a surrealistic masterpiece.

And guess what?

ItÔÇÖs on YouTube!

Watch it now before it gets taken down.